Music

MARVIN Music News: Olivia Rodrigo’s Glastonbury Legacy, Charlie Puth at Blue Note, Daya’s Bold Return & More

Olivia Rodrigo’s Glastonbury Set Lives On

Olivia Rodrigo is giving fans another reason to relive her legendary 2025 Glastonbury headline set. LIVE FROM GLASTONBURY (A BBC RECORDING) is now up for pre-order, arriving on magenta and periwinkle vinyl for the collectors.

Two tracks from the album just hit DSPs: covers of The Cure’s “Friday I’m in Love” and “Just Like Heaven,” performed with Robert Smith himself. Their proceeds go to Doctors Without Borders — a fittingly iconic team-up with impact beyond the stage.

Her set has already been cemented as one of Glastonbury’s all-timers. Rolling Stone dubbed it “the stuff of Glasto legend,” while Variety called it a “powerhouse performance” and Billboard went with “dazzling” and “spectacular.” Across the UK, critics from The Guardian to The Telegraph gave her a clean sweep of five-star reviews.

Charlie Puth Goes Intimate with Blue Note Residencies

Charlie Puth is trading stadiums for jazz clubs this fall. The GRAMMY® and Golden Globe-nominated artist just announced a 16-show residency split between New York City and Los Angeles, all inside the legendary Blue Note Jazz Club.

Kicking off September 25–28 in NYC before moving to LA October 16–19, Puth will play both early evening and late-night sets each night, bringing “very special friends” along for what promises to be a rare, up-close experience with the Berklee-trained musician.

The announcement arrives as speculation builds around Puth’s upcoming fourth studio album, teased throughout his recent Asia stadium tour. These intimate shows feel like a prelude to a new era — one that fans are more than ready for.

Daya Enters a New Era with “Bandit”

Daya is back with “Bandit,” an electro-pop rush of heartbreak and hindsight that marks the start of her biggest chapter yet. The Grammy-winning artist dropped the single on September 12th via ONErpm, with her long-awaited sophomore album Til Every Petal Drops set to arrive October 10.

It’s been nearly a decade since her debut Sit Still, Look Pretty catapulted her onto the pop stage, and this time around she’s leaning into something rawer, messier, and more self-reflective. “‘Bandit’ is about heartbreak and picking up the pieces,” Daya says — but she frames it like an action scene between two women in love, putting a cinematic twist on the fall-out.

This summer, she surprised fans at Lollapalooza by joining Gryffin for their hit “Feel Good,” hinting at the kind of breakout fall she’s gearing up for. Add in the 10-year anniversary of her 4x Platinum debut single “Hide Away” — newly revived thanks to an Alan Walker remix gone viral — and 2025 is shaping up to be her boldest year yet.

Bailey Spinn Faces the “fear of going out”

Bailey Spinn isn’t slowing down. The rising rock voice of Gen Z drops her new single “fear of going out” on September 26 via AWAL, channeling the anxious energy of a generation into something loud and cathartic.

It’s been a breakout year for Bailey: her debut album loser landed in March, pulling Y2K nostalgia into sharp-edged anthems about heartbreak and individuality, with “happy ending” alone racking up 10M+ streams. She’s already played When We Were Young Festival, been named one of People’s Emerging Artists to Watch, and made an appearance at Variety’s Power of Young Hollywood event — all while amassing 20M+ followers and billions of views online.

With “fear of going out,” Bailey is cementing herself as one of 2025’s most promising rock storytellers — equal parts vulnerable and unapologetic.

SG Lewis Dives Into Nostalgia on Anemoia

SG Lewis has dropped his third album Anemoia — a project built on the idea of longing for a past you never lived. Across the record, he stitches together trance, Balearic house, early-2000s electronica, and his own pop instincts, shaping an album that feels both expansive and intimate, rooted in the club but reaching beyond it.

The lead single “Baby Blue” — a disco-leaning cut with Oliver Sim of The xx — sets the tone: wistful, euphoric, and a little hazy. London Grammar, Shygirl, TEED, and RAHH also make appearances, rounding out an album that doubles as a love letter to dance culture.

Anemoia follows a huge run for Lewis — collaborations with Tove Lo, Shygirl, and Nelly Furtado, his own Forever Days label and parties, and becoming the face of Spotify’s Mint campaign. With a North American headline tour kicking off in Austin tonight and a return to London for O2 Academy Brixton later this year, SG Lewis is leaning into the present while already soundtracking future nostalgia.

Just Jayne Turns Heartbreak Into Country-Pop Magic with “1+1”

Nashville trio Just Jayne are back with “1+1,” a lush, heartbreak-soaked country-pop single that proves their knack for turning messy relationships into unforgettable songs. Anchored by the trio’s soft, stunning harmonies, the track captures that feeling of a love that should have been simple but never added up.

Produced by GRAMMY-winning Jordan Reynolds (Carrie Underwood, Dan + Shay), “1+1” weaves tender pedal steel, delicate banjo, and a gently thumping rhythm around the vocals of Taylor Edwards, Jillian Steele, and Rachel Wiggins. Written alongside Reynolds and Ines Dunn, the song’s lyrics move from regret to acceptance, painting heartbreak with poetic clarity: “Me plus you ain’t 1+1.”

With its combination of sophistication, emotional honesty, and cinematic storytelling, “1+1” is a reminder of why Just Jayne is one of country-pop’s most captivating voices.